Endless Prowl is the ongoing technological, experimental, and multifaceted artistic practice of Naarm-based neurodivergent artist D.P. Ford. Through Endless Prowl, Ford weaves an overarching thread of technology and aesthetics across a wide array of mediums, including embroidery-laden garments, intricately textured digital paintings, detailed 3D models, VR sculptures, cinematic 3D-rendered visuals, VFX, game design, sound design, graphic design, and typography.

 

Ford’s practice is deeply informed by their neurodivergence, which they credit as a driving force behind their critical exploration of media and philosophical theory—particularly dialetheism, panpsychism, ethics, identity, institutions, isolation, and metaphysics—elements that filter into the expansive world-building at the core of their work. The hybrid media and techniques that define Endless Prowl trace back to Ford’s roots as both an illustrator and musician in Memphis, Tennessee.

 

D.P. Ford has performed, exhibited, and provided art direction for artists, events, venues, and galleries internationally, creating site-specific, aural, and mapped visual works. Recent highlights include 3D-rendered and VR-sculpted visuals for DJPGZ’s live set at the sold-out RISING event First Frequency at Melbourne Town Hall (June 2025); A/V performances at Otherness Festival with Roly Porter (London, UK) and Unsound Festival with Air Max '97 (Adelaide); and festival art direction alongside live A/V sets at Soft Centre (Vivid Sydney 2022) and Wavyland (Vivid Sydney 2023). Additionally, Ford has worked as an art director, animator, and VFX artist for music videos including Qual’s (UK) Funeral Fashion and Kuunatic’s (JP) Disembodied Ternion and Yellow Serpent.

 

Recent collaborators include Eartheater, Varg2™️, Kuunatic, Qual, Debby Friday, King Woman, C.FRIM, DJPGZ, Air Max '97, Christobel Elliott, Teether, BAYANG (tha Bushranger), Sevy, and more.